
Plus ça change, plus c’est la même chose / The more it changes, the more it stays the same (Jean-Baptiste Alphonse Karr)

I’m becoming more and more interested in glitch art, artifacts, compression, processing, filtering, etc. Reminder to find opportunities to incorporate this practically / functionally / conceptually into future work. (5am ambient light leak on my wall.)
解脱 — 张惠妹
There is a strong fascination with romanticism and the urban condition in many works of Chinese cinema, especially those from the Sixth Generation. This piece combines dialogue and video from two very different films, Suzhou River (Lou Ye, 2000) and Beijing Bicycle (Wang Xiaoshuai, 2001), into a single thought on this common theme.
Additional music/sound by World’s End Girlfriend and from the Shanghai subway’s automated announcement system. Subtitles added. Video is a loop; please right-click the player and turn looping ON.
(Source: vimeo.com)
This track by a classmate in the Digital Media Sample/Mashup/Remix class I’m taking at RISD this wintersession is totally crazy and I love it. Listened to it with headphones here in our classroom and it definitely got me excited and wanting to hear it fill up a bigger space.
(Source: soundcloud.com)
This Irish born, Berlin-based animator has accumulated a lot of fans over the years with his work such as 2009’s award winning “Please Say Something”, 2008’s bizarrely engaging child-like animation “Octocat”, and his breakthrough 2006 piece “WOFL2106”. Getting a cult following for his animated work, David OReilly now returns with his latest offering “The External World”.
(Source: motionographer.com)
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